Second Person Narration
Not that many authors use narration in the second person. It's colloquial by nature as it reflects modern day common speech of someone in recounting his or her experience using the pronoun "you" rather than "I", as if assuming experience in common.
Jay McInerney uses second person narration in his novel Bright Lights, Big City.
"Your head is pounding with voices of confession and revelation. You follow the trails of white powder across the mirror in pursuit of a point of convergence where everything was cross-referenced according to a master code. For a second, you felt terrific. You were coming on grips. Then the coke ran out; as you hoovered the last line, you saw yourself hideously close-up with a rolled twenty sticking out of your nose. The goal is receding. Whatever it was. You can't get everything straight.You are too excited to think anymore and too exhausted to sleep. If you lie down you are afraid you might die."
McInerney seems to presuppose an intense, experientially felt reader identification with this coked-out character.
Second person narration is most likely to be employed when an author assumes similarity of experience to such a degree as to think that consistently throughout the story most readers will be figuratively nodding their heads in recognition of what the narrating character is going through. It's a narrative choice that relatively few authors make.